In Torben Grodal retired and became a professor emeritus. In Moving Pictures Grodal provides a theoretical account of the role of emotions and cognition in producing the aesthetics effects of film and television genres. In his more expansive book on the topic "Embodied Vision: Evolution, Emotion, Culture and Film" published in by Oxford University Press, Grodal elaborates on the PECMA flow model and how evolutionary approaches to film analysis are flexible enough to take into account cultural variations in perceptions of film. From Wikipedia, the free encyclopedia.
Career [ edit ] Grodal studied literature at the University of Copenhagen in Denmark. Retrieved 13 January Categories : Living people births University of Copenhagen alumni Danish educators Danish academic biography stubs. Hidden categories: All stub articles. Namespaces Article Talk. Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film.
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Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates.
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